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The Match Beneath our Hearts

“Find your passion.” I’ve been hearing those words for years on end, ever since I began the journey into Making Big Life Decisions—what to study in school, what career to pursue, what activities to get involved with. But I can hardly remember someone defining what that vague, nebulous word meant. Passion. Find it, and then dedicate your life to it, they say, implying we are each created for some unique purpose that must be discovered, pursued, and perfected. Some lifestyles and careers are immediately associated with the concept: social workers, missionaries, artists, doctors. If passion colored a circle around a set of occupations, these would be dead center, bright orange. Floating in the white space outside we might find janitors, fast food workers, and 9-to-5 office people. And so many of us are taught that chasing what we love is a prerequisite to a full life.

Yet, pragmatism finds a voice in our world too. Perhaps echoing in the concerned tone of a parent, or dropping on us like a hammer when the reality of jobless, penniless living sinks in like claws. When painting flowers and philosophy can’t attract any cash flow, the scales slide from passion to pragmatism. In one sense, it’s almost a rite of passage for entering adulthood. We see the few friends who defy that norm, traveling the world or starting a business and generally living the good life. But for most, it’s a passage into tiresome day jobs, driven by a need to make a living and put some semblance of food on the table. The first paycheck inspires a heady thrill of excitement and independence. A couple more, and we’re asking, Is this all? Is this the rest of life?

And passion begins to speak again. “Don’t spend your life just getting by.”

“We are all called to find and do our life’s work.”

But passion is a privilege, simply put. Few can afford to drop a steady job, an income to pay the bills, to undertake a risky venture for the sake of “doing what they love.” (Certainly, some can, and succeed, and some should. But by and large, it’s implausible for most, and often irresponsible.) Someone has to do the job you don’t want—someone has to drill the fences and scrub the toilets. Most of the world is living for survival, not for dreams. It is those who are blessed with abundance and don’t fear for providing the next meal that grow agitated and begin thinking of doing something greater, more impactful, and more transformative.

The desire is not wrong; in fact, I think it’s a good and beautiful thing. But we often channel it into the wrong objects and seek fulfillment in the wrong places. And we run up against the troubling tension between passion and pragmatism, the core of which stems from brokenness. The brokenness of our world, and the brokenness of the human race. Imagine work in a sinless world. For one, entire industries would collapse out of superfluity—law enforcement, security, and the like. There is our own, personal brokenness to contend with too. We are naturally lovers of self-glory, and the unglamorous, unseen jobs are found wanting. Even the pursuit of service to others can be a veil for selfish ambition and recognition.

How then, do we channel our thirst for chasing that undefined, glint of a dream on the horizon? The thing that we can’t put into clear words, and yet strikes a match beneath our hearts?

Passion is inconstant, because we are fickle and lazy people. One day it sets us on fire, and another, it’s been snuffed out by gray skies or a minor headache. Can we set our eyes and life on such a capricious concept? It seems a dangerous thing. This is not to throw my hat in the ring for fatalism, passively awaiting whatever comes down the pipe. Yet neither do I believe we should chase every whim, captained by our emotions. Again, it is a tension we must hold: to pursue, and to accept; to speak up, and to submit; to fight, and to surrender. There is a time for everything. But I think it is wisdom, not passion, who will speak best in how to do that.

We are made for a life of chasing loftier things, but that may be packaged in either prosperous or humble appearances.

Let us not chase mere passion, but bring it with us in higher pursuits.

Against All

Against all intuition,
there’s a King that chose
a crown that bleeds,
and a God who wore
the frailness of humanity.

Against all expectation,
men scoffed and spurned
and crucified their Maker,
but it’s for these He died,
the wretch, the fool, the sinner.

CHORUS

I AM, the Word made flesh,
Your ways are higher than mine,
Your love is better than life.
We forsake all other gods,
it’s You alone we glorify.

Against all explanation,
He trampled over death,
broke the grip of the grave
and undid condemnation
for the bride He came to save.

Against all hesitation,
we tread the Savior’s path,
count all our treasures loss
to comprehend Your holiness
and marvel at the cross.

BRIDGE

Lord of light, I’m undeserving
of Your steadfast love.
God of grace, I’m so unworthy
but Your righteousness is enough.

CHORUS

I AM, the Word made flesh,
Your ways are higher than mine,
Your love is better than life.
We forsake all other gods,
it’s You alone we glorify.

He made him who knew no sin to be sin on our behalf, so that we might become the righteousness of God in Him. – 2 Corinthians 5:21

A Hard and Holy Thing

I know, I’ve been MIA for much of the month. The term March Madness is a very apt descriptor, and I’m not talking about sports. I haven’t found too much time to write, but I did put this little piece together for Rachel’s March chatterbox challenge. Please excuse any rough edges; this was written on a series of cramped flights and no brain capacity for editing.

This vignette actually follows on a Beauty and the Beast re-telling novella I wrote last year. I’m planning to offer a copy to any and all interested parties. More details to come on that. Until then, enjoy.

chatterbox: superstition

“So Lady Jiang, what etiquette must I maintain to prevent a galactic catastrophe?”

His tone, mocking and light, shook Maia out of her reverie. She pulled her gaze away from the foaming shoreline reluctantly and found his dark eyes. They gleamed with a rim of mischief, a foreign characteristic for his usually grim expression.

She scowled. “Don’t murder anyone before the wedding.”

“I’ve hardly ever been accused of that crime.”

A smirk teased at the corner of his mouth, and Maia could tell it contained equal parts jocularity and cynicism. Dark humor tinged his statement and they silently shared a moment of painful understanding before a chorus of laughter from the beach snapped the solemnity. Maia sucked in a deep breath, the smell of sea salt and tropics assaulting her senses.

“I’m sorry, Aiden.” She bumped her hand tentatively against his in the sand. “Baba always said I tell terrible jokes.”

His fingers snaked around hers. “Nah, you have a sound wit. Just poor timing.”

She laughed and cringed at the same time. “I do, don’t I? Everything is still awfully fresh. Stars, this is why I could never be a politician.”

“I have no idea why I asked you for counsel on etiquette.”

Maia thrust her elbow towards him but he caught her arm in a firm grip. They fell into a playful tussle and wet sand caked their limbs. After a few moments, Aiden locked his hands around her wrists and gave a slight shake of his head.

“I’d rather not see us on the news later.”

She raised an eyebrow. “You already know Maris Stella so well.” Sarcasm bled through her words, but she released her hold on him. Stellan news crews were banned from the Jiang’s private beach, but they were also notorious for acquiring intrusive footage.

They lapsed into silence for a while, allowing the roar and spray of ocean water to fill the stillness.

“Actually,” Maia began slowly, “Stellan wedding tradition is wrought with ancient beliefs, mostly inherited from Old China. It’s considered bad luck to see the bride before the wedding.” Her glance skated sideways toward Aiden. “Some insist on me wearing a particular veil from olden days to protect the royal family from any sort of curse.”

His expression indicated sufficient distaste. “Strange, how a culture can’t shake its superstitions, even decades after the technology era.”

“I don’t think it’s that odd. Science can never decipher everything, and I doubt most people truly want it to. There’s a beauty in the mystery. These myths are not only embedded in culture, but in the human psyche.”

Aiden cocked his head to the side and examined her. “A princess, soldier, bibliophile, and philosopher?”

The old, private joke echoed with warm familiarity. “And you have such impeccable timing,” she mumbled, a note of complaint creeping into her voice. “Who would have guessed—Aidan Hound, a jesting man?”

He offered an almost roguish smile in return. “And what is your opinion on these irrationalities?”

“You’re just concerned I’ll wear that horrendous veil,” she grumbled, before a more thoughtful expression overtook her. “I don’t believe in the superstitions, because they’re marked with human design—too flawed, too predictable. Truth must come from a source beyond us. I think—I think truth should shock us because we would not imagine it ourselves. And yet, it would strike our souls and sensibilities with its utter veracity.”

A pregnant silence fell over them, punctuated only by the distant cry of sea birds. Maia felt her face flush from her short speech and Aiden’s gaze drifted off to the gold-scorched horizon.

“Your conviction should no longer surprise me,” he murmured softly, “and yet it does.”

She smiled tentatively, still unused to the sudden, vulnerable moments that would spring up unannounced between them.

“What do you think?”

“Terra is much the opposite of Maris Stella, though ironically, our world is behind yours in science. But Terrans largely believe technology like it’s a god. Superstitions are a relic of the past.” He paused, catching her hazel eyes. “Yet, like you, I don’t run with the popular opinions of my people. When you talk of truth—truth that speaks to human life and the universe—it must be a hard and holy thing.”

“I remember you once said truth was malleable.” Maia could not help but challenge him as the memory arose.

The corner of his mouth turned up. “As a politician, truth lends itself to creativity. As a person, I cannot afford that same mentality.” He glanced at her. “Besides, I was teasing you then.”

“I missed that subtext.”

“I haven’t the faintest idea how you could.”

The edge of her mouth tipped up into a half-smile. “Then, do you think truth is knowable?”

Aidan released a quiet groan, and as if in agreement, hi stomach growled. “Yes,” he affirmed, a tired spark in his eye, “but only after dinner.”

The Real in the Surreal

“But some day you will be old enough to start reading fairy tales again.” – C.S. Lewis

surreal

I’m not sure how one defines growing up, but from an unschooled eye, I see it in the small, insignificant things—trading in sneakers for the next size, dismissing mom as the personal chauffeur to sports games and parties—and I always see it in retrospect. The quiet evolution in interests, tastes, personality. The sometimes subtle, sometimes sudden, shedding of youthful naiveté. Childhood shifts into adulthood in a slow whirlwind of changing landscapes, foreign city lights blurred by rainfall, abandoned bookshelves and silent studios. A world marked simultaneously by noise and loneliness.

We leave behind the children’s stories and fairy tales. There are broken hearts strewn across our streets and suburbs, stomped over by a world in a rush to the subway and office, never pausing for a second glance. Sometimes, those are our hearts. Sometimes, we are the ones trampling them underfoot. Finally, we see—victims and oppressors all—happily-ever-after are for the idiots. We read survival guides for life and watch shows about messy people with frayed relationships and aimless days because it’s like looking in a mirror and laughing. Life doesn’t make cynics out of all of us, but we are hard-pressed to find the same lively spark of wonder and hope in the eyes of the aging.

Perhaps there is another shift from adulthood into old age, when we return to the past tales. When we grow weary of the world and the next new thing, and find there is really nothing new under the sun. That psychology, technology, governments, wars, treaties, prisons, corporations and social movements will never fix our brokenness. When we come to the end of ourselves and stand on the brink of our last heartbeats, perhaps the light will break into the crevasses and we will find that ancient wisdom speaks with new authority.

Perhaps we will pick up the old fairy tales, and we will see them like never before—not with scoffing condescension or childlike wonder. The scales will fall off our eyes and we will see the truth in the myth, the real in the surreal, and discover a magic that all the world cannot suppress—

—sunlight piercing the morning dew—

—fierce, untamable love —

—glory beyond the frailness of words—

Are these not the truest tales of all?

The File Room: February, Vol. 2

febfileroom

And we near the end of the shortest month of the year. In honor of its brevity, I present a concise collection of links. (No really, it’s not because I was lazy.) Quality over quantity.

Rejoice, To Kill a Mockingbird fans! My guess is you all have heard the news. I’m not expecting it to top her classic, but I was more than a little thrilled.

I saved this beautiful excerpt on suffering that Tim Challies shared.

Everyone had something to say about Fifty Shades of Gray this month. I didn’t read too many articles, but I thought this one cut to the heart of the matter.

The future is here. Is Apple going to make an iCar? Interesting tech read. And I typically avoid the comment sections like the plague, but some of the ones here were a hoot.

I made Apple Pie Oatmeal for days when I got sick. I went in skeptical, but this was delicious and simple. Top notch comfort food.

In honor of the month of love (or really, just extreme commercialization)…

He’s more myself than I am. Whatever our souls are made of, his and mine are the same. – Emily Bronte

The Bibliophile’s Crime

I was 15% of the way through this book (I’m reading on a Kindle, hence the % instead of the page number), and for a 1,000 page tome, that meant over 100 pages. If I shelved it for now, I’d forget the plot and be forced to start from the beginning. Or I could trudge on and keep reading and hope that I’d fall in love in the next, oh, 900 pages. I hopped onto Goodreads and read raving reviews for encouragement.

But I decided to drop it. Goodbye, The Way of Kings.

Yes, this is The Way of Kings by Brandon Sanderson, the epic opening to a ten-book fantasy series. (I’m ready – throw your tomatoes with abandon.) Maybe my expectations were too high. Everyone says this book keeps them up at night. It had rather the opposite effect on me. Maybe I’m not a real, true-blooded fantasy fan. Or at least, one who has “gotten with the times,” and moved on from the black and white, good vs. evil fantasy archetypes of Tolkien and Lewis’ day. To boil it down, I simply didn’t love it. Nothing about the book—prose, plot, characters, setting—sunk its talons in and really shook my world or stirred my soul. And I didn’t want to read 900 more pages to see if anything would.

But it got me thinking about The Bibliophile’s Crime (self-created term; apologies for the melodrama). Dropping a book midway through. Should you? Shouldn’t you? We all have a method for making the decision, whether it’s based on haphazard feelings, a stubbornness to finish any and every book opened, or some unspoken criteria. I tried to formalize mine, and though it is by no means definitive or comprehensive, perhaps it will provide some ideas to chew on.

First of all, not every book should be read. Some are plainly a waste of time, some are terrible literature, and some are worse – downright disturbing or twisted for the sake of glorifying darkness. The tough part comes when a book seems to boast some value, but you’re having trouble getting into it. I’ve stuck through a number of novels like that. Some, like Pride and Prejudice and To Kill a Mockingbird, grew into my all-time favorites. Others, I disliked even more by the end. So, to keep reading or not, that is the question … and I have 4 of them that I use informally to evaluate.

  1. Why are you reading it? We read for different purposes. Sometimes, it’s purely for enjoyment, and sometimes, it’s educational. I’m much more willing to drop a book I’m reading for fun on the sole basis of entertainment value. I mean, if the value I’m looking for most isn’t there, then why keep going? But if I’m reading to learn, I’m much more reluctant to give up. And educational isn’t just for school, and it’s not learning sapped of all enjoyment. I read theology to learn more of God, or classics to learn more of enduring stories, or certain authors to study their prose. If I’m getting something out of it, I’ll keep going.
  2. What do others say about it? This is always subjective, and you’ll hear things from every end of the spectrum. It takes time and scrutiny to cut through the noise. I dig through reviews looking mainly for a common thread of what the real, redeeming value of the book is. What is the work most known and praised for? (e.g., “the vivid portrait of human nature” or “omg the guy is way hawt”) If I also find it a worthy characteristic, I’ll give it a few more chances. On the flip side, I look at what it’s criticized for, and weigh that in my consideration too.
  3. Is it bearable? If I really can’t stand it, I quit. Reading should not be torture.
  4. How long is it? This may seem superficial, but time is a precious commodity. If I can breeze through it in the same amount of time that it’d take to evaluate whether or not to read it, I may as well just read it. But if it’s going to take weeks on end (not to mention endless sequels, which are all the rage now), I’d consider more carefully. Every book is an investment of time, a use of stewardship, so make sure it’s worth it.

[pc]

Between Mercy and Justice

Mercy and justice are not opposites, but they often find themselves at odds, particularly in the justice system. The tension between the two, between gracious love and rigid law, is a core conflict in so many stories. Recently, I’ve developed a penchant for legal dramas (by which, I mean Suits and The Good Wife) and I can’t help but notice this theme replaying itself. Suits has a spectacular ensemble cast, and I’ve grown to love each of the characters: their quirks, wit, heroics and vulnerabilities. I cheer when they win, when they beat their enemies, when they have their moments of glory. I ache when they ache. (And yes, I realize I may be overly emotionally invested.) But let’s be honest – all of my favorite characters are basically crooks. By the law, they deserve to be thrown into prison.

Good storytellers know how to play on our sympathies. Call it manipulative, but you have to admit, it takes skill to do. A well-executed emotional appeal strikes our heartstrings harder than impartial justice. Storytellers know that. The justice system knows that: attorneys would not be so bent on picking impartial jurors if most people could not be swayed by compassion, personal experiences, or anything other than cold, hard facts. We find ourselves rooting for “good” protagonists even if they aren’t completely by the book, even if they’re rule-breakers, because of something redeeming in their motives or heart. We empathize because we’ve been in their shoes, or simply because we understand their dilemma as fellow humans. We’re not robots, we don’t see the world in binary, and there’s no algorithm to our emotions.

But there you find the tension. The other day, I was watching an episode of The Good Wife where Alicia defends a middle-aged Indian woman facing deportation. She entered the U.S. illegally 27 years ago, but built her entire life in the States: two children, a job, and a home. In desperation, she tells Alicia, “I have nothing in India.” Her situation and her plea tugged at my feelings. I was totally rooting for Alicia to kick the opposing counsel’s behind on the case and save the poor woman. But as the other side put it, the truth is, she entered the country illegally. In the eyes of the law, she should be deported. It is mercy that cries for an alternative. So, what’s the right thing to do? The courts weren’t created for charity, and if every case like that was granted an exception, all sorts of chaos would break out. And yet … I felt compassion, and out of pity, I wanted an exception for her case. (I promise, I haven’t forgotten this is all fiction. I just get this way about stories.)

Where is the perfect meeting place of mercy and justice? Where is the sweet spot? Sorry. I don’t know. Sometimes, the two seem to be in direct opposition to one another, and we can all empathize with both sides at different times, depending on our natural bent and personal experiences. The only good answer I have isn’t my own: the cross of Christ is the only place I see the two come together in perfect, agonizing union. A picture of perfect justice and a picture of perfect love. The fair and full punishment for the wickedness of sin, and a love so unfathomable it embraces the worst of us unconditionally. It is something we cannot hope to emulate as broken sinners in a broken world, with our imperfect love and laws.

Personally, I love stories that deal with the tension well. Not in a cookie-cutter approach, where everything gets simplified and squared away. We are messy and complicated, tarnished by sin. Yet at the same time, we see a reflection of the image of God, the Imago Dei, imprinted on our souls – a God who is holy and just, yet also compassionate and slow to anger. One day, He will set all things right.

[pc]

Dear 21st Century

Nietzsche said, “God is dead.”
So you build castles in the sand,
play god in this godforsaken land,
and create a hollow eternity
within the shackles of mortality.

Darling, eternity reaches
beyond light and earth,
and the infinite has
neither end nor birth.

Hawking said, “It’s a fairy story.”
Heaven’s a poor man’s wish
and a rich man’s myth.
So feast, dance, drink your gin,
‘cause tomorrow, Death will win.

Darling, shades of gray
prove the black and white,
altars may seem antiquated
but Truth transcends time.

Shakespeare said, “Love is blind.”
It’s just sweet words and lies,
all good things have to die.
So chase the dream, chase the girl
everyone wants to gain the world.

Darling, the life we live
will echo in forever,
and you’ll find your heart
where you find your treasure.

The File Room: January, Vol. 1

Yes, it’s one of Those Things every guy and his brother does: the daily / weekly / monthly roundups, or highlights. With the new year and all, I thought I’d jump on the bandwagon before it wheeled away into the horizon. Who knows what this will evolve into, but you can probably expect linkups to all things literature & writing, Christian pieces, tech articles, and delicious food recipes. “These are a few of my favorite things…”

Without further adieu, I present the first volume of The File Room.

Al Mohler gives an insightful analysis on worldviews and extremism in light of Charlie Hebdo.

An older post on stewardship, but I bookmarked it as an excellent reference and refresher, especially for a new year.

Remember the aching beauty of art.

Rachel offers some helpful tips for reading, particular when life is huffing full-steam ahead.

If you’re tired of eating lunch out, I’ve found some awesome inspiration with Project Lunch Box.

Also, best banana bread recipe I’ve come across thus far.

If you’re a T. Swift fan (or a closet fan, which I know covers you ALL. kidding), I loved this artsy mash-up.

What doesn’t kill us gives us something new to write about. – Julie Wright

[photo cred]

Where’s the Silver Bullet?

I think we are all secretly in search of the silver bullet. The cure-all, magical solution that makes us masters of our field, victors over our habitual struggles, at the snap of our fingers. We laugh at the idea publicly, but we still can’t resist those articles – “Do this 1 thing and transform…” or “The foolproof 3 step process to…” Oh, how those deceptively small numbers win us over. Unfortunately, nothing truly rewarding has a quick and easy fix, just hiding in a corner we haven’t searched yet. The same goes for writing. Hard work, sweat, and discipline lie at the core of the craft. Unpopular traits for lazy humans.

I considered the things that helped me grow most as a writer, and the two standouts are both lifelong disciplines. Sure, you can run a thorough grammar and spellcheck on your work, or attend a class or conference, or listen to a talk by a successful author. All of these can help. But the two unparalleled “teachers” I find the most value in and draw the most inspiration from are:

  • Life experiences. I don’t go out into the world in search of thrills, but living in a God-made world, loving and clashing with other beautifully complicated people, adventure inevitably knocks on the door. We see more of the world and more of our own human nature the longer we live and the more we experience triumphs and trials. Five years ago, I read enough books and heard enough stories that I could write heartbreak convincingly enough. (“Oh, your heart literally hurts and food has no taste and you are certain you will wither and die.”) Today, I can write it better. I haven’t compared the technicalities and descriptions from a previous and current work, but life experiences arm us with an arsenal of literary weaponry to come out firing. Five years ago, I could bluff onto the page. Now, I can bleed onto the page.
  • Books. Reading inspired me to write, and books teach me how. Read widely, and see what separates the bad from the good, and the good from the great. Just as we live more nobly when we surround ourselves with good company, we write more splendidly when we soak our minds in good books. In school, we all complain that we don’t truly understand the abstract material until someone walks us through a concrete example. Learning the rules of writing and classroom technicalities alone will never accomplish what the simple act of picking up a book can.

Speaking of examples, I think of Khaled Hosseini as one case study. He wrote The Kite Runner, A Thousand Splendid Suns, and And the Mountains Echoed. He’s a doctor, not an English major, but he published three stellar novels. I love his work, and I think he’s a talented writer for a few simple reasons – he has a natural killer prose, his life experiences give him the ammunition for rich cultural tales, and he loves stories.

So don’t chase the silver bullet. Just live and read, then go and write.

[photo cred]